This film is a complex, psychological study, dissecting the inner conflicts inherent in the human mind. The film’s title itself hints at a dark exploration, centering on six destructive tendencies known as Arishadvargas: lust, anger, greed, delusion, ego, and envy akin to the seven deadly sins. These vices form the core of the narrative, providing a framework for the unfolding events.
The film is not for the weak hearted. It starts with a solitary figure excavating a grave, only to sever his own hand. This peculiar opening establishes a tone for a tale involving individuals who embody these six vices. The central plot revolves around MLA Narasimha (Jagadish Mallanad), pursued by others, each driven by their own vices. The characters are trapped within their own psychological battles, blurring the distinction between virtue and malevolence.
Manisharma (Kaddipudi Chandru), a politician, seeks Naga (Sai Krishna) and enlists Vedha (Nakul Gowda), a local tough, for the task. Vedha, however, has his own motives, stemming from a troubled past. Accompanied by his friend (Manjunath Kokate), Vedha arrives at a location where he anticipates the culprits’ appearance. The situation escalates into chaos, with each character acting according to their vices, ultimately leading to a reversal of fortunes.
The film presents events from multiple viewpoints. This unique storytelling approach accounts for the film’s unpredictability. Each character’s actions are intricately linked to their vices, providing a study of human nature and morality. This raises questions about whether these characters are merely victims of their mental afflictions, resulting in a cycle of revenge and revealing the destructive power of unchecked emotions.
The performances in “BAD” vary in strength, but collectively contribute to the film’s thematic exploration. Apoorva Bharadwaj’s portrayal of Anu stands out, as she navigates complex emotions and manipulative choices. Nakul Gowda delivers a convincing performance as Vedha, a man consumed by revenge, showcasing how vices can cloud judgment. Manvita Kamath‘s depiction of Pavi illustrates how personal tragedy can lead to unforeseen outcomes.
“BAD” delves into moral ambiguity, avoiding a simplistic good versus evil dichotomy. Instead, it prompts the audience to acknowledge that all characters, regardless of their actions, are driven by human flaws. The film questions the culpability of individuals driven by negative mental traits. These flaws prevent the characters from attaining peace, highlighting the destructive nature of inner demons.
Film: Bad Director: PC Shekar Cast: Nakul Gowda, Manvita Kamath, Apporva Bharadwaj, Ashwini Polepalli, Sai Krishna Duration: 100 minutes Certificate: UA Stars: 3/5
